A couple of years ago author Jennie Ensor shared with me her thoughts about how, via the publishers Unbound, she’d crowdfunded her novel . I began by asking her why she’d chosen this particular route. What had led her to make this decision?
Write book. Publish Book. Go on book tour in nightwear. Simon Whaley explores the modern way to promote books. Gone are the days when publishers organised country-wide book tours for every author, dropping them into every major town and city bookstore to promote their latest offering. Many authors are probably thankful for this, for such events were frequently gruelling and exhausting. Today, a good book tour still requires energy and effort on an author’s part, but the modern virtual book…
If you’ve read my Business of Writing column in Writing Magazine (and I hope you have), you’ll know that from time to time I chat to other writers to gather their thoughts and expertise on a subject. Right from the start of the column (and for those of you who are counting, I’m just putting the finishing touches to the 52nd article), the editor asked me to obtain head-and-shoulder photos of the writers from whom I obtained quotes. (Perhaps he…
The London Book Fair is the trade show for publishers, agents and booksellers. Now in its 47th year, anyone in the book business anywhere around the world finds themselves heading for London in April. During the three-day event at London’s Olympia, held this year between 10th and 12th April, over 25,000 people connected with the publishing industry will pass through its doors. The question is: should you be going? Is there a business-case for writers making the trip?
This year, 22,108 writers are receiving a PLR payment next month. I’m one of them. I always find PLR statements fascinating documents because, although it’s just a snapshot from a handful of libraries across the UK, they reveal interesting information about which of your books were most popular.
If you’re toying with the idea of self-publishing a book, then I would encourage you to read Andrew Franklin’s blog post on the Society of Author’s website. Andrew Franklin is the joint founder of Profile Books. Therefore, he understands the costs involved when it comes to publishing a book. In his blog post (which was also an article in the Society of Author’s Journal published back in the autumn) he candidly talks money. A lot of money. Particularly when you…
Last week’s post (What To Do With My Business After I’m Dead) looked at a book that fellow Writing Magazine columnist Tarja Moles has published. This week, another fellow Writing Magazine columnist, Lorraine Mace, explains why she’s bitten the bullet and self-published her children’ novel, even though it was something she swore she’d never do. “ was the first book I wrote,” Lorraine explains, “and so it has always had a special place in my heart. In 2007 I was…
Nobody likes to think about dying, but have you considered what might happen to your writing business after you’re dead? Don’t forget, everything you write is protected by copyright for another 70 years after your demise. That’s 70 years when others could make use of your intellectual property rights. But would they know that? Where would they go to look for information about your writing business? I keep all of my information in a database in my computer … which…
Covers. They are hugely important but, generally-speaking, not where a writer’s skills lie. Yes, we often know what we like, but that doesn’t mean to say we have the right ideas. Nor does it mean we shouldn’t think about them. If you write a book that is traditionally published, then your contract will usually contain a clause stating that you will be consulted on the cover. That does not mean you will have the final say. Far from it. It…
Last Saturday I was assisting with a workshop on self-publishing run by Wrekin Writers, as part of the Wellington Festival, and the topic of Hybrid Authors was briefly discussed. So I thought I’d take the opportunity of posting my recent Writing Magazine feature where I chatted to two writers about being a hybrid author. HYBRID AUTHORS Traditionally-published or self-published? Simon Whaley chats to two writers with a foot in both camps. A few years ago, a writer’s life was binary:…
It’s been a busy week in the writing world on two different fronts: one which fiction writers may already be aware of, and another that probably won’t have registered with writers using Windows computers. The first event concerned Woman’s Weekly magazine, whose staff issued an email, out of the blue, last week to advise that following a restructure at Time Inc (owners of the Woman’s Weekly brand), the entire fiction team was moving on.
Two weeks ago I mentioned that the follow up to my short story collection (Ten Teatime Tales) was in production, now that some of the stories I wanted to include in it are now out of their exclusivity period. Well, I’m pleased to say that Ten Teatime Tales 2 (it took me months to come up with that title) is now available. (Just in time for all of those new electronic reading devices that will be unwrapped in a couple of weeks…
Sometimes, it’s not until you build up a body of work that you really appreciate what you have created. And that’s when the consequences of being a little slap dash with the rights you grant others in your work becomes apparent. When you’re starting out, it’s easy to be swayed into granting more rights in a piece of your work than you’d like. You know you really ought not give a publisher copyright in your article, but they are going…
Last week I was approached by two different writers, each with their own publishing dilemma. I hope they found my comments useful, but what the queries demonstrated was that when it comes to publishing your book you need to be clear what your dream is. Only then can you decide what is right for you. The first writer had made the decision to self-publish her novel, having spent many years writing it and then even more time trying to interest…