There’s a technique for book writers (both fiction and non-fiction) called book journalling. David Hewson calls it a book diary in his Writing A Book in Ulysses. The idea is simple: any thoughts relating to your book are entered into one journal for that book. That could be a physical notebook, or it could be a file on your computer. (I create a file in my Research folder in Scrivener.)
Do your journal? I do, and it’s something I’m doing more regularly. Is there a business case for journalling? I think so, because it’s an opportunity to mine your brain for ideas and thoughts. Sometimes journalling helps me to identify a theme, or a connection between ideas, and hone them into shape.
Fellow writer and friend Stephen Wade is celebrating the publication of his latest book: Write Your Self. It’s a guide to making the most of journalling, and explores various themes and techniques for exploring your self, through journalling. By asking the right questions, we can learn more about ourselves generally, as well as ourselves as writers. The contents of those journals then become a huge resource for our creativity.
So this week, I thought I’d offer Stephen an opportunity to tell you more about his book:
Enid Blyton … writing
When you wake up on 11th August, raise a toast to Enid Blyton, who was born that day 120 years ago.
I recently re-read her first Famous Five novel, Five On A Treasure Island, which in itself brought back many happy childhood memories.
We’ve slipped into June and already people are thinking Where’s the year going? Time seems to be flying by and I haven’t done achieved anything yet! It’s not helped by the fact that, here in the northern hemisphere, in a couple of weeks, the nights start drawing in. (The countdown to Christmas has begun!)
I, though, can simply flick back through the pages of my journal for this year to remind myself of what I’ve been doing with my time. That’s because, this year, one of my projects was to journal every day. (Last year’s project was to experience a mindful moment every day and create a ten-second video capturing that moment. (You can see some of them here: http://www.simonwhaley.co.uk/category/mm/)
Caroline recently got in touch with me enquiring about how to improve the endings of her short stories. She says she often gets great comments about her stories, but her endings let her down. They are too predictable.
This is a common theme found in many rejection letters. In fact, it could be argued that editors need to come up with a less predictable way of saying our stories have predictable endings!
Do you take time out to think? I don’t mean sitting around waiting for the Muse to strike. I mean making the effort to sit down, with a project or idea in mind, and working out how to develop it?
I think writers get used to thinking all of the time, and so we become blasé about it. It develops into one of those activities we do while doing something else: washing up, cutting the grass, going for a walk or doing the weekly food shop. But for us, as writers, thinking deserves more respect.