If you’ve read my Business of Writing column in Writing Magazine (and I hope you have), you’ll know that from time to time I chat to other writers to gather their thoughts and expertise on a subject. Right from the start of the column (and for those of you who are counting, I’m just putting the finishing touches to the 52nd article), the editor asked me to obtain head-and-shoulder photos of the writers from whom I obtained quotes. (Perhaps he…
The London Book Fair is the trade show for publishers, agents and booksellers. Now in its 47th year, anyone in the book business anywhere around the world finds themselves heading for London in April. During the three-day event at London’s Olympia, held this year between 10th and 12th April, over 25,000 people connected with the publishing industry will pass through its doors. The question is: should you be going? Is there a business-case for writers making the trip?
Last week’s post (What To Do With My Business After I’m Dead) looked at a book that fellow Writing Magazine columnist Tarja Moles has published. This week, another fellow Writing Magazine columnist, Lorraine Mace, explains why she’s bitten the bullet and self-published her children’ novel, even though it was something she swore she’d never do. “ was the first book I wrote,” Lorraine explains, “and so it has always had a special place in my heart. In 2007 I was…
Last Saturday I was assisting with a workshop on self-publishing run by Wrekin Writers, as part of the Wellington Festival, and the topic of Hybrid Authors was briefly discussed. So I thought I’d take the opportunity of posting my recent Writing Magazine feature where I chatted to two writers about being a hybrid author. HYBRID AUTHORS Traditionally-published or self-published? Simon Whaley chats to two writers with a foot in both camps. A few years ago, a writer’s life was binary:…
Last week, I shared a post on Facebook (dating from March 2016, so it wasn’t new) from the Guardian’s Books Blog by Ros Barber who explained why she doesn’t want to self-publish. It was in response to the many comments she received on her own blog following a post she’d made about the derisory incomes authors earn these days, even those who are traditionally published. She was making the point that we’re not all offered the six-figure advances that many…
Can we write a novel on a smartphone, or edit a short story on a tablet? Simon Whaley connects with four writers who aren’t chained to their desks. (Writing Magazine – July 2017 issue) In July 2016, Literature and Latte, the company behind the popular Scrivener writing software, released their iOS version, making the programme available to writers on their iPads and iPhones. At first, I was sceptical. Who writes a novel on their smartphone with its tiny, cumbersome keyboard?…